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About Emma Newman

Emma Newman writes short stories, novels and novellas in multiple speculative fiction genres. She is a professional audiobook narrator, and a Hugo Award winning podcaster. Her current podcasts are ‘Imagining Tomorrow’ and ‘Tea and Sanctuary’. www.enewman.co.uk

The Script

Comic script - this is exactly what happened to my son in the small hours of this morning. I only saw the messages when I woke up, and he told me what happened once he was awake. It made me laugh, and I immediately thought it might make a fun comic and Beanie agreed!

A young man (if you want to base him loosely on my son, he’s 16 years old, tall, short brown hair, blue eyes) is about to leave his room but spots a huge spider on wall next to the door (it is on the wall that the door would rest against when open and the dressing gown hanging on the back of the door would brush against where the spider is) . 

He is terrified of spiders, so he can’t open the door. It’s the small hours of the morning.

He leaps onto his bed on the other side of the room, a bookcase blocking the line of sight between him and the spider and tries to phone his Mum who is sleeping in her room across the landing, and message her on WhatsApp, but her phone is on ‘Do not disturb’ so there’s no answer. 

Panicking, he phones friends until one finally picks up - ‘Help! There’s a huge spider in my room!’

Friend: What colour is it?

Beanie: Black? Brown? I dunno! It was BIG

Friend: You’re okay, I don’t think they can climb.

Beanie: IT’S ON MY WALL! (throughout the rest of this exchange the friend also now freaking out is just making Bean panic even more!) 

Friend: Oh, that one can climb then! Just dash out the door!

Beanie: It’s by the door, I can’t get out!

Friend: IT’S IN YOUR ROOM?! 

Beanie: Yes, I told you this!

He peeps round the bookcase. The spider is gone!

Beanie: It’s gone!

Friend: THAT MEANS IT COULD BE ANYWHERE!

Beanie’s eyes flick to all the posters it could be hiding behind, and all the clothes and stuff on his floor it could now be lurking under.

Beanie: YOU ARE NOT HELPING!

He hangs up and hides in the duvet. If you think that a final shot on the spider’s hiding place would be a good ending, do add that in, but happy to end it on Beanie hiding.

 

Artists Notes

One of the goals of the project was to try and work with as many writers as possible, and so I told every writer "Don't worry - I'll take any format of script" - there are sort of comic script standards, and attempts have been made in the past to really hammer them in, but for the most part every writer I work with works a little different anyway. That said, this script required a lot of thinking about to get the most out of the story (you can argue amongst yourself whether that's what I did).

Firstly there's a sort of action limit in comics, every action will usually require one panel - character opens door, walks through door, locks door? that's three panels. I felt like, on this script, there was too much going on to fit in the super limited single page I had, plus some of the action I wanted to build it up a bit more, so I knew I'd be putting a bunch of panels towards the getting ready to go out (because build up build up build up build up PUNCHLINE!) I also knew I wanted the dialogue interaction to have that ratatatat rapid delivery, which meant I'd get a single panel for that set of dialogue. This meant brutalising the story a little, cutting out the contacting of his mum and going straight to the friend. I also wanted a little end note on the spider - I thought that would be fun, a happy little chappy. (remove the last spider panel and the page feels like it's not quite finished - it's a figurative and literal full stop)

The manga shading effect/speedlines came after I'd drawn it and realise it would work better with a little bit of manga (tonally too, fits a teen), and the coloured lettering was because I needed someway to quickly distinguish the two sets of dialogue (I decided to eschew clip studio's balloon lettering tools a) because it would take ages to get exactly how I want it and b) because I thought I could add more character to it that way. The background of the room is pretty much a direct tracing of my teenage son's bedroom (which is so quintessentially teenager it looks like a set from a modern John Hughes teen comedy). (And it's all my son's work, he's done that all without parental help)

Anyway. This was finished the day before publication, but I think it turned out ok.

Oh, and because I drew it, and then slathered lettering all over it, here's the page without dialogue...

Moving on.

The 5th of November is the twentieth anniversary of my mum’s passing. It’s been a raw wound for a long long time. She died aged 50 and so I’ve outlived her by three years so far.

She passed three months after my wife and I married – Annette and I had been together nine years by this point and mum and my younger brother (Who was exactly 25 years younger than me, and born a couple of months after Annette and I started dating) had become part of our entourage when we went places. To the point that mum used to joke that she’d come with us on honeymoon. We got married in Barbados, and mum came with us. Well, for a bit. We’d booked two weeks in barbados, the wedding would happen one week in and we invited everyone who wanted to go with us (they were all paying their own way, though we had secured a bit of a deal) so in the end we had a fair number with us. All for one week. Except mum “well, if I’m going that far, I might as well go for two weeks – so I’ll just come with you” No, mum. I love you, but you can come out one week early and stay for the wedding week and Annette and I can have a week alone. And that’s what happened.

When mum died, I was working in IT support for a charity and got a phone call telling me to come home. I can’t remember a lot of what happened, it all became a bit of a blur – there was a 16 year age gap between me and mum, and in an odd way we grew up together, I think. Mark, my brother one year my junior, died age 26 and so I felt very keenly that with mum going there were memories that I had that were shared between her, me and mark, that no longer existed for anyone but me.

It was a rough time. I think on the day, I ran into the bathroom (multiple times) just wanting to hide. I found it very difficult.

And for years, there was a numbness. I remember I used to day dream about what would happen if I won a million quid, and I remember one day, after mum died, having the same thought and suddenly cutting it short with “Well, if you’re going to make any sort of wish, you dickhead, why don’t you wish your mum were still alive”.

Mum was cremated and her ashes put in a grave with my brother’s ashes. A grave that, after his death, I used to go with mum to so she could clean it. We’d joke about stuff and it was far from a sombre thing (mum and I shared a very dark and dry sense of humour), it was kind of joyful. Mark and her never got on as he was growing up, it wasn’t until he left home at age 17 that they started having any sort of respect for each other. And at the grave mum would fuss around it with a tenderness I think she wished she could have expressed to him when he was alive.

(As a side note, and since I’m baring all here, Mark died aged 26. Mum and Dad were in Canada, and one of his friends had been in touch to say they hadn’t seen him, so they contacted me and got me to pop round the house. It was locked. From the inside. So I phoned the police, who came and knocked the door in. Once the door was down, I asked if I could go first, because – well, it felt like it would be more appropriate. And Mark was lying on the floor, having fallen off the sofa, eyes open and long passed. I had to phone them in Canada to tell them. It was awful. Coroner reported death by natural causes, Mum and Dad were convinced it was Sudden Adult Death Syndrome – which, at the time, wasn’t something many people had heard of or believed in. Northern Ireland being the centre of crackpots though, and Mark, at the time knowing pals who were in to witchcraft, the Judge decided there may be something more sinister going on – I stood up and pointed out that had he died two months earlier he’d’ve found a bunch of star trek books and that’s as likely as witchcraft to be the cause of his death.)

But, that, of course, made me visiting mum’s grave all the more difficult. Bad enough it’s where mum’s ashes are but it’s also – the drive up, the standing at the grave, the tidying of it – all reminders of mum being alive.

So I’ve been a handful of times, usually at the suggestion (if not prodding) of my wife. And it’s been difficult.

But this year, twenty years, the wounds don’t hurt. There is, of course a gap in the heart where my mum is, but it’s a gap that’s slowly grown over with new tissue.

I’m going to go up, say some goodbyes, and phone my aunt – her sister – who she used to talk to pretty much every day and I’m sure felt the loss as keenly as me.

And I think the hurt will stop.

Here’s the comic strip, I bring out every so often when I talk about my mum, that I drew now five years ago. It all remains true. There are, of course, more things I’d add, I’d like to tell mum about the house, about my brother John about Nathan going to university, about Thomas’s starting GCSEs. But she knows. She knows.

Dredd Poison

I was pleased with how this page turned out from Episode 2.

(It’s an eight parter running in 2000ad right now)

Rob wanted a lot of stars, and I wanted to give it a lot of texture. so there’s about three layers of stars that I gave Pete (doherty) to do with as he will. Also gratuitous butt shot for those that are inclined.

Studio Tour (2023)

I’m due a studio tour, right?

We’ve been in this house for around a year and there’s still a fortune worth of work to do. Outside of the studio we started by adding a new fence to the outside drive, so we could have private space in the backgarden which was a godsend over the summer (otherwise you can see our backyard from across the road) but it cost a fair bit. And we changed the stair case (money) and then updated the kitchen (more money) which, combined with buying the place has left me sort of broke. But we have a house on a ground floor with an outside which meant I got to do nine barbecues this summer (and if the bloody weather had been more dependable it would’ve been a lot more) including one just as my son finished secondary and him and his mates got their university acceptances and we had a big barbecue with him and nine mates, and the family and my wife’s cousin and her family and one of our friends and one of my brothers and there was twenty people in total. Was great. Worth it.

Anyway, the studio.

Time moves relentlessly on…

Like a big unrelenting thing. Eight days since the last update.

Let’s catch up, got a neat two pager to do for Monster Fun, with a tight deadline just before I went to Cheltenham (which meant I had to crush a bit the couple of days following to get it done for the 16th which was the deadline) full colour. Think it looks good, I’m a terrible judge of these things. Already feeling like my colouring box of tricks is way too limited.

Here’s a panel from it…

“Dot-Bot”

Editor liked it, so that’s good. Then spent a few days doing family stuff (lot of family stuff). One of the things with kids is, once they reach a certain age, they’re no longer yours to talk about – I used to talk about my kids all the time (on the blog and on social media) because they were delightful little wonders oblivious of most things but especially the internet (except for youtube videos) but now they’re 18 and 15 and as much as I’d love to share stuff about them, stuff I’m proud of, concerned about or just generally parent things, I just can’t. That stuff is theirs. But know I love them, and know that there’s often lots to talk about and I just can’t.

Have finally begun another Devlin Waugh strip, six parter. No deadlines, suspect it’ll not get scheduled for some time. For some artists this is great, for me, it’s a curse. I know if I attacked it the way I normally attack work I’d get it finished in a fortnight, but instead it’s taken me a fortnight to even open the script … because … no deadlines.

On the writing front, I haven’t really had a chance to open the script again on the WHITE RABBIT story. And again self doubt kicks in and I think, really Paul, this is the story you’re going to spend your precious time on earth drawing, something no-one will likely read, you’ll not likely enjoy (not nearly enough monsters) and something that no-one is paying you for? SHUT UP INNER MONOLOGUE.

As a side note, do you inner monologue? I do a lot. Turns out not every one does. Even as I type this I hear it in my own voice in my head. And if I pause to think of the wording, I’ll hear it in my head. Apparently not as common as I thought. (Also: I will have full on dialogues with other people – as I imagine they would react – play out in my head. Honestly a bit of a curse, because you know this isn’t necessarily what they’d say/how they’d really react, so you play through all sorts of permutations. And it’s always been like this. Voices in my head, but not the mad kind, probably)

I’ve most of the next issue of A4 written. Trying desperately to write something that doesn’t end with death is hard though. (It’s been pointed out, correctly, that these stories are all debbie downers… truth is I’m not sure I know how to write anything else? but I should try) There’s six stories so far and I did have a seventh which might be funny, but it turns out I’ve forgotten it. As soon as I think of one of these shorts I write them in the notes app on the iphone and then get on with things, safe in the knowledge it’s there. Sometimes I take a while to do that, then other thoughts pop up and *pff* gone. This one has gone *pff* (And I bet it wasn’t that funny)

Enjoy this Man-Thing Interlude (drawn in procreate)

Been chatting to Alec Worley (lovely bloke, comic writer, his newsletter is here) and he’s been bullying me into moving over to substack. (I have a substack account but only use it for reading). He reckons it’s where the audience will be.

To be honest, I’m sort of fed up with all social media. It’s so balkanised now, I can’t auto post from the blog to twitter, or blusky (but can to mastodon, which I’ve otherwise sort of left fallow). There’s threads where I’m on but not. Instagram which I have but never really upkeep and half a dozen others I’ve forgotten. My patreon still exists but I’m a ghost on there now. (Though I do appreciate those people who may be seeing me in other places and putting money in to my patreon, believe me, it may not seem much but it helps!)

In the battle-with-my-ego front, enough good quality writers have said words to the effect of “but you’re writing is really good” that I’m starting to think there might be something in that. Or at least I might try and stop shying away from the title of writer. I’m really not comfortable with the title (I’m a comic artist who sometimes makes comics that don’t have writers attached … or I sometimes jot down ideas for stories that I never, ever finish) these are things I need to fix, though I’m not sure how that would happen, maybe writing something that is purely prose? or writing something for another artist? I dunno. It’s an interesting data point for now.

I will say I feel my career as a comic artist has been taken as far as it can really go (which I think I’ve said before, isn’t really a bad thing, I don’t mean “and I give up” I mean “well, I’m never gonna be the hot artist, the in demand artist, the first guy on your rolodex or the guy you know will shift the needle, but I WILL be the guy you phone cus the other guy dropped out and man alive this deadline is tight” and honestly, being the hot-artist is a fractionally tiny part of the industry, there’s not many hot artists. I did wistfully want to be an artists-artist. But I’ll settle for being the editors-artist.

Maybe writing stuff will allow me to move the needle in some other ways. I dunno.

Again, my mood is a little darker than usual, I’ll grant you.

Funky Pencil Monkey

Spent a couple of days in a bit of a funk. The world is just … ugh. My mood has been dark (which, all jokes aside, I partially put down to binging Walking Dead which finally got to Neagan, a character I despised so much on first contact, and the grim never ending awfulness of what the characters are going through that it genuinely has effected my mood, so I’ve put it away – no thanks, not watching that) have turned instead to the delights of Gone Fishing.

I’m in a fairly privileged position (in that I’m in a part of the world that is relatively stable, and safe) and so have decided I can’t watch the news at the moment either – things are too grim and it’s impacting how I think about stuff. I don’t remember when things felt this oppressive (plus the comic industry seems to be going through one of its cyclical crunches where there’s more published work than there are readers, and more talented comic book creators than there are jobs for them)

There’s a guy in fixing my gas (big bill I could do well without) and he’s working in my studio room. So I’ve decided to blow the cobwebs off a script idea I had a few years ago (oh god, just after me and Declan did “M” for Dynamite, in 2017) and start polishing it up with a view to drawing it myself as a commando digest sized comic.

Well, strictly speaking I’ll be drawing it A5, and printing either A5 or some reduction of same.

I wrote a fairly detailed treatment of it, and then I rewrote and rewrote it. It was a James Bond pitch originally, and I’ve turned it into “John Regent” a Bond like MI6 Secret Assassin.

Honestly it came about because in our book M, Bond’s boss – a former british soldier – returns to Belfast, and I thought “Oh, man… if James Bond came to Belfast … he could get stuck in an Orange Parade!” because Bond surrounded by a load of guys in Bowler hats marching to a band while he’s being hunted by OddJob is very very funny.

Of course, what often happens between inception and treatment/scripting is the original idea gets lost as you build your plot. So ultimately, that didn’t make it.

Anyway, I have a detailed treatment (no page numbers, just plot happenings) and 64 pages to do it in. So I’ve been trying to work out how long each section should be and man, 64 pages seems like a lot, but every page is only 1 – 2 panels. So you’re really cutting it up a lot. But that’s ok. Because the treatment basically breaks down into Prologue (it’s James Bond! gotta have the bond bit at the start!) Act 1, Act 2, Act 3 and Epilogue I’ve sort of picked arbitary points for these things to break down, that’s when you really start to feel it.

BUT – I’ve adapted tweets into comics, so taking this treatment and going, well, these words have fill 8 pages – beginning on a splash and ending on a splash, giving me roughly 12 panels to tell that part of the story isn’t impossible.

Plus, to be honest, I’m trying not to get bogged down on “what if this is rubbish?” so what. Then it’s rubbish. I don’t think it will be, I think it’ll be not-as-good-as-I-want-it-to-be, which has the same effect as “what if it’s rubbish?” and that effect is to stop you even trying.

So I’m ignoring that instinct and I’m going to write it in to pages, and then draw the damn thing as fast as is humanly possible. And then, if I get that far try and kickstart the beast (I won’t be after big numbers, just enough to get it printed)

But the kickstarter is a long way off, and honestly, I’m doing this because right now, my workload is very very light, and that’s not a terribly comfortable place to be for me. I’d rather have way too much work on.

Sent to kill the super hacker codenamed “White Rabbit” MI6 Assassin JOHN REGENT discovers that she is, in fact, an 11 year old non verbal autistic child. Mission aborted, REGENT and the girl are attacked. Betrayed, REGENT has to go on the run with the girl and her mother to find answers, and to discover just exactly how far down the rabbit hole this goes.

“White Rabbit”

Skulduggery Pleasant Panel

Well, today was the skulduggery pleasant panel day, I sat with Nick Lake (editor) and Derek Landy (author) and watched as the crowd were in thrall to Derek (who really knows how to work his crowd)

I mostly tried to hide behind my ipad and made occasionally funny remarks.

Then we did a signing, and I suppose after doing stuff like this for 16 or so years, Derek has become really really good at crowd work. Good big queue, bodes well for the book. They’ll be doing another yay! with a different artist! boo! (don’t worry if they keep going, at some point I’ll do another)

Derek and Nick and team are keen to see as many different artists interpret that world as possible, so hopefully the next person will be able to turn in artwork very different to me (but if you’re reading this different artist, make it just a little bit not as good? cheers!)

Spent time at the venue then back at the hotel, and I’m learning something not great about myself, I’ve almost no bravery when it comes to exploring. I could’ve got a cab back to cheltenham proper, but I sat at the bar had a dinner (on expenses) and ate and then came to my room and slept.

If my wife were here she be making me get in a cab to go in to town just to see what’s there. (And then heading back for 9:30 to go to sleep, and I’d be sat here blogging and drawing and mumbling about how I could be doing this at home)

Now I want to go home, but won’t be able to do it until tomorrow.

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Did a inktober helltober thing this morning, but drew it in a silly cartoony style, which took seconds so decided to colour it too.

Am I tempted to do this again but make it proper serious? Yes. Will I? No. Because I am lazy. So very very lazy.

Cheltenham!

Well, I’m in Cheltenham, I think. Largely on my own at the moment, so have taken the time to have some me time. Me time is important, guys. (Me time involves eating some food and having a nap, this stuff isn’t hard – just let me sleep!)

Found this at the hotel:

A bottle of Prosecco in a bucket of ice.

Which was lovely and made my wife even more regret that she’s not here. I’m gonna use it as a paper weight, as I don’t really drink.

(Though now I think it’s from the hotel chain as a gift because I think we were supposed to be staying at the Queen’s hotel which is dead centre in Cheltenham instead we’re staying at a different hotel which feels like it’s in the middle of nowhere – this would appear to be the fault of the hotel)

Because this place is so out of the way, I’m largely confined to barracks for the moment (the nearest tesco express is 1.4 miles away!)

Still, that means I can sit and do some work (yay!) so here’s an inktober I didn’t think I’d get time to do.

The Pale Man, holding both hands in front of his face, one hand is open showing his eye in the palm of his hand. There is text beside him that reads “In the Kingdom of the Bline the One Eyed Man is King”

When I do this inktober / monsterober / helltober things I draw them and then try desperately to think of something that would be funny with them. This just popped in to my head whole.

Anyway, depending on how things go (will I open and drink this Prosecco… maybe…?) I might drunken blog later. We’ll see.

Away From Keyboard

Ok, my timing isn’t perfect, but might actually be a good thing. I’m off to Cheltenham tomorrow for the book-fest meeting Derek Landy and doing a talk. Will be back on Monday, that means I’m unlikely to get much done beyond reading a book and signing some books (hopefully) so no inktober/blogtober for me (well, I’ll try and blog, we’ll see!)

As I write this, my very basic stats tell me we’ve had 500 visitors to the webcomic, that’s a good start. It’ll shrink, of course, and hopefully pickup again. As I said before I’m not sure what a measure of success is here, but building out the infrastructure and figuring out HOW to do this has been useful in and of itself. As an experiment I’ve also uploaded it to tapas, with a plan to run it there every Wednesday (a few days behind the blog here) to see if there’s a different audience over there (or indeed any audience)/

Anyway, see you monday if I don’t see you before!

We’ll we’re off…

Null Space gets a bit of a launch write up here: https://downthetubes.net/launching-today-pj-holdens-null-space (thank you John Freeman!) Let’s see how it goes. I suppose there’s a few valuable lessons I’ve already learnt from a project like this.

One I do like variety, but it’s tempting to draw multiple strips in a week and that produces samey-ness. So I’ve already drawn two fantasy strips one week after another, although one is outright comedy and the other sort of dark fantasy, because I drew them within a day or so I ended up in a similar place art wise. So I’m giving a bit of time between the two Christmas episodes to see if my brain can’t come up with something different.

Organising working with a lot of writers is hard! Anthologies are hard! they’re all lovely, it’s just my level of competence is low for this sort of work.

I need to be a lot better at contacting websites about PR stuff. It’s very much I want people to see it, but I have no idea how best to do that. I should be less afraid of just straight up asking, what would help you to publicise this (because those websites need content as much as I need people to see the thing exists)

Probably my biggest asset right now is my mailing list of 360 people, and so I need to figure out ways to build that up (and ways to offer content in it that is unique and useful)

I think I got the branding nearly right, calling it “PJ Holden’s Null Space” is a little cringe, I admit, but I think I need to brand every project that I get involved in with my name. Because A4 could be anything, Null Space could be anything. But lobbing my name on them in front gives nice clear water between “PJ Holden’s A4” and “A4”. That said, when I talk about these things I’ll be dropping the naming and just going with A4 because otherwise I’ll look like an egocentric monster. And I’m only one of those things.

Self hosting was a tough call, I did – years ago – set up a website for a thing such as this, channelhex.com, but I never used it for anything and over the years the naming has felt more and more pointless. So I’ll probably let the domain go. I did try hosting it there, but it became “PJ Holden’s Channel Hex hosting PJ Holden’s Null Space” (well, not really, but it could’ve IT COULD HAVE!)

There’s a chance I’m going to throw a version of it up on tapas, which I think will bring a lot more eyeballs to the strip. (I’m a firm believer that comics need to be read by an audience otherwise it’s just a very enjoyable four-five hours spent in your own company drawing a comic for no one to read) I’ll likely do it so it comes out midweek, behind this website. We’ll see.

Anyway, bookmark it, tell your friends – tell all your friends! Next week The Victim by Tade Thompson

Johnny Ghoul

Well, I’m still trying to figure out the name of my undead detective. Was going to go for Johnny Ghoul, but turns out this is such a great idea lots of people have used it. Ugh. Back to the drawing board.

Today I pencilled a page of it (actually pencilling a second right now too) and here’s a sneak peaky…

Three panels from a comic strip. Drawn in a film noir style. Panel 1 is a city at night, art deco buildings and beside it a circular panel with the an undead detective. Panel two, close up of a mob bosses face, inside the detectives office. In heavy shadow from the shades. The next panel a close up of the detective, in heavier shadow.

Actually very happy with how that pencilled page has turned out. Archangel (the city of monsters) is a sort gothic art deco world, where it’s either snowing, raining or just night time. So if I do more stories there, there’s a lot of lore to explore.

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Still churning through the walking dead, I suspect it’s not really a show you should binge, but I’m sort of innoculated against the worst of it because I’m wathcing it while I work, so frequently miss stuff – much as I did with Ashoka, in fact it’s only after I saw someone mention it on twitter I discovered that the storm troopers where zombies??? Flew right past me (much like abolt from a storm troopers weapon would, those dolts can hit the side of a barn dead or alive)

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Tomorrow the site launches. I dunno what to expect? An audience? I dunno. I’ve stuck a kofi link (it’s on every page, god I hope it’s not annoying) it sort of floats at the bottom and you can donate whatever you fancy to me. Obviously I’ve site costs (but, so far, they’re minor) and time costs for doing the work, but you know, I’ve taken that on myself.

What will success look like? Doing it was the real reason to do it, if you see what I mean. But an unread comic always feels sort of sad to me, so I’m hoping we get some numbers. We’ll see.

I’ll be sending out my newsletter tomorrow (tinyletter.com/pjholden) just to announce it on there. My newsletter has gotten a bit of a lease of life since I started the A4 ‘zine, I’ll post on there every time I get one together, and I’ve about 360 people in the newsletter. Let’s hope that bumps up. But I will only send it monthly… except this month, where I’m giving myself an extra bite of the cherry because of the null space…

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Blogtober continues, as does inktober and monstertober and helltober and I dunno what else. Anyway, here’s my inktober drawing for today, Cthulhu….

Cthulu rising from the ocean, disturbing two tiny boats. Below him the text "Early to bed and early to rise makes a man healthy, wealthy and wise"