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About Emma Newman

Emma Newman writes short stories, novels and novellas in multiple speculative fiction genres. She is a professional audiobook narrator, and a Hugo Award winning podcaster. Her current podcasts are ‘Imagining Tomorrow’ and ‘Tea and Sanctuary’. www.enewman.co.uk

The Script

Comic script - this is exactly what happened to my son in the small hours of this morning. I only saw the messages when I woke up, and he told me what happened once he was awake. It made me laugh, and I immediately thought it might make a fun comic and Beanie agreed!

A young man (if you want to base him loosely on my son, he’s 16 years old, tall, short brown hair, blue eyes) is about to leave his room but spots a huge spider on wall next to the door (it is on the wall that the door would rest against when open and the dressing gown hanging on the back of the door would brush against where the spider is) . 

He is terrified of spiders, so he can’t open the door. It’s the small hours of the morning.

He leaps onto his bed on the other side of the room, a bookcase blocking the line of sight between him and the spider and tries to phone his Mum who is sleeping in her room across the landing, and message her on WhatsApp, but her phone is on ‘Do not disturb’ so there’s no answer. 

Panicking, he phones friends until one finally picks up - ‘Help! There’s a huge spider in my room!’

Friend: What colour is it?

Beanie: Black? Brown? I dunno! It was BIG

Friend: You’re okay, I don’t think they can climb.

Beanie: IT’S ON MY WALL! (throughout the rest of this exchange the friend also now freaking out is just making Bean panic even more!) 

Friend: Oh, that one can climb then! Just dash out the door!

Beanie: It’s by the door, I can’t get out!

Friend: IT’S IN YOUR ROOM?! 

Beanie: Yes, I told you this!

He peeps round the bookcase. The spider is gone!

Beanie: It’s gone!

Friend: THAT MEANS IT COULD BE ANYWHERE!

Beanie’s eyes flick to all the posters it could be hiding behind, and all the clothes and stuff on his floor it could now be lurking under.

Beanie: YOU ARE NOT HELPING!

He hangs up and hides in the duvet. If you think that a final shot on the spider’s hiding place would be a good ending, do add that in, but happy to end it on Beanie hiding.

 

Artists Notes

One of the goals of the project was to try and work with as many writers as possible, and so I told every writer "Don't worry - I'll take any format of script" - there are sort of comic script standards, and attempts have been made in the past to really hammer them in, but for the most part every writer I work with works a little different anyway. That said, this script required a lot of thinking about to get the most out of the story (you can argue amongst yourself whether that's what I did).

Firstly there's a sort of action limit in comics, every action will usually require one panel - character opens door, walks through door, locks door? that's three panels. I felt like, on this script, there was too much going on to fit in the super limited single page I had, plus some of the action I wanted to build it up a bit more, so I knew I'd be putting a bunch of panels towards the getting ready to go out (because build up build up build up build up PUNCHLINE!) I also knew I wanted the dialogue interaction to have that ratatatat rapid delivery, which meant I'd get a single panel for that set of dialogue. This meant brutalising the story a little, cutting out the contacting of his mum and going straight to the friend. I also wanted a little end note on the spider - I thought that would be fun, a happy little chappy. (remove the last spider panel and the page feels like it's not quite finished - it's a figurative and literal full stop)

The manga shading effect/speedlines came after I'd drawn it and realise it would work better with a little bit of manga (tonally too, fits a teen), and the coloured lettering was because I needed someway to quickly distinguish the two sets of dialogue (I decided to eschew clip studio's balloon lettering tools a) because it would take ages to get exactly how I want it and b) because I thought I could add more character to it that way. The background of the room is pretty much a direct tracing of my teenage son's bedroom (which is so quintessentially teenager it looks like a set from a modern John Hughes teen comedy). (And it's all my son's work, he's done that all without parental help)

Anyway. This was finished the day before publication, but I think it turned out ok.

Oh, and because I drew it, and then slathered lettering all over it, here's the page without dialogue...

#28 – “Beowulf”

Beowulf’s tale is more than 1000 years old. First he bested the giant Grendel, tearing off the creature’s arm. Next he beheaded Grendel’s monstrous mother with a blade found in her underwater lair. Beowulf died a hero’s death; mortally wounded slaying a dragon.

—-

Beowulf is an epic poem, the oldest written version of which dates from around 1000 CE. Whether this extant version – which was copied from a now lost older version by two scribes –  was previously learned by rote and passed down orally, remains a topic of debate. It agreed by most scholars however, that the story of Beowulf dates back to 700 CE at earliest. The poem is written in Old English, but uses a mixture of dialects – Mercian, Northumbrian, Early West Saxon, Kentish and Late West Saxon – making it something of a linguistic patchwork.  

The hero Beowulf was said to be a member of the North Germanic tribe who inhabited Götaland – known as the Geats, or sometimes the Goths. In the poem, Beowulf came to the aid of King Hrothgar of the Danes who had built a vast mead-hall named Heorot where he his wife, Wealhtheow, and his men drank and sang merrily. The music and merriment were loud enough to be overheard by Grendel – a troll-like monster, said to be descended from the biblical, murderous Cain – who could not stand either. Grendel attacked the hall while everyone slept, and slaughtered many of Hrothgar’s men, causing the king and his people to abandon the place.  

Beowulf travelled to the hall and, refusing all weapons, laid in wait for Grendel, pretending to be asleep. When the monster entered Heorot, Beowulf’s companions leapt to his aid but none of their weapons could pierce Grendel’s flesh. Wrestling with the beast, Beowulf tore off Grendel’s arm at the shoulder using his bare hands.  

Grendel returned to the underwater cave which he came from to die, and the arm was displayed in Heorot as a trophy. This angered Grendel’s mother – described only in the poem as “aglæc-wif”, which has been interpreted both as “wretch, or monster of a woman” but also as “warrior, or hero” – who rose out of the water to enact revenge, killing Hrothgar’s most mighty fighter Æschere. So, Beowulf and his men returned to Hrothgar’s land to hunt her down.  

Beowulf jumped into the swamp, fought off a few water-monsters on the way down, and entered the cave where Grendel and his mother lived. Grendel’s mother appeared impervious to all weapons, and seemed certain to kill Beowulf until he laid his hand on a giant sword stored amongst the other loot in her cave. Beheading Grendel’s mother, Beowulf also found the corpse of Grendel and removed its head. The blade of the sword melted away to nothing from the monster’s corrosive blood. Beowulf emerged from the lake with the Grendel’s head in one hand, and the hilt gigantic sword in the other.  

Beowulf, now a rich and famous hero, became King of the Geats. Fifty years after his battle with Grendel’s mother, a slave stole a golden cup from the treasure hoard of a dragon in Earnanæs, Sweden. The furious dragon went on a murderous rampage, and Beowulf was the only man who could stop it. Ever the hero, Beowulf says he will battle the dragon alone, but he is followed by a warrior named Wiglaf into the fight. Between the two they slay the dragon, but Beowulf is mortally wounded and dies. His body is ritually burned on a great pyre and a barrow is built in memorial to the great hero king Beowulf.  

#27 – “Wandjina”

 The Aboriginal people of Australia are one of Earth’s oldest cultures. Their folklore stretches back millennia. Passed down from storyteller to storyteller. The Wandjina – the cloud spirits from the sky – brought life to the planet. All images of them are sacred 

 —

Australia is burning. “This is a climate crisis, but this is a climate crisis caused by colonization and mismanagement of land”. These are the words of Larissa Baldwin, from the Widjabul clan of the Bundjalung nation, and the First Nations justice campaign director of GetUp – an organisation bringing people together on issues of Environmental Justice, Human Rights, Economic Fairness and Democratic Integrity [1]. The 26th of January is Australia Day – a commemoration of anniversary of the day in 1788 when the First Fleet of British ships arrived at Port Jackson, New South Wales, and the Flag of Great Britain was raised at Sydney Cove by Governor Arthur Phillip. It used to be known as Foundation Day, but now it is increasingly known as Invasion Day and Survival Day.

In 2016/17 researchers at the University of Newcastle compiled the most complete list to date of the massacres of Australian First Nationals carried out by the British settlers. “The exact death toll from massacres and the frontier wars is unknown, but it runs in the hundreds of thousands. More than 65,000 Aboriginal and Torres Strait Islander people were killed in massacres or conflicts between 1788 and 1930 in Queensland alone”[2]. It’s genocide, and its ongoing.  

Colonization also led to the “Stolen Generations,” when at least one in three Aboriginal and Torres Strait Islander children were forcibly removed from their families between 1910 and the 1970s, to be confined in institutions or raised by white families. This was a practice meant to “breed out the color” [3]

Fire-stick farming, also known as  cultural burning, was once practised widely by Aboriginal Australians as a means of clearing and managing the land. These controlled burnings created fire-breaks which helped stop the spread of wild-fires – which occur naturally in the hot, dry Australian climate. The 2019-2020 bush-fire season has been the most destructive and devastating on record. As of the 14th of January 2020, 72,000 square miles of land had burned, destroying 6,000 buildings, killing 35 people, and an estimated one billion animals, many of which are now endangered species.

For thousands upon thousands of years Indigenous Australians lived in harmony with nature. They understood the signs and cycles of their environment and passed these down through folk-tales and stories, told and retold. Nature is sacred to the Aboriginal people, but there is no one over-arcing deity covering all of Australia.  

Each tribe has its own deities with an overlap of beliefs, just as there is an overlap of words between language groups.The Wandjina spirits in the northern Kimberley of Western Australia belong to the Ngarinyin,Worora andWunambal tribes. These Wandjina are responsible for bringing the Wet Season rains, as well as laying down many of the laws for the people. As one travels east, this function is taken over by Yagjagbula and Jabirringgi, The Lightning Brothers of the Wardaman tribe in the Victoria River District of the Northern Territory, then by Nargorkun, also known asBula, in the upper Katherine River area, and by Namarrgun, the Lighning Man in the Kakadu and western Arnhem Land regions.[4]

[1] https://www.vox.com/identities/2020/1/24/21080027/invasion-day-australia-aboriginal-indigenous-torres-strait-islander

[2] https://www.theguardian.com/australia-news/2017/jul/05/map-of-massacres-of-indigenous-people-reveal-untold-history-of-australia-painted-in-blood

[3] https://www.vox.com/identities/2020/1/24/21080027/invasion-day-australia-aboriginal-indigenous-torres-strait-islander

[4] http://www.aboriginalculture.com.au/religion.html 

Folklore Thursday: Wandjina

The location in the bottom panel is based on The Pinnacles in Australia. 

(Not much time to go in depth here for this one, pencilled, inked and coloured in clip studio. Researched via google.)

#26 – “Yedua”

The Yedua is a plant-creature recorded in the Talmud [edit: it isn’t, it’s recorded in later appended discussion of the Talmud. Apologies]. Tethered to the ground by a vine, they grow into human-like shapes. Any creature straying too close to a Yedua is killed and devoured. Only by severing the plant-man from its roots can the Yedua be defeated.

——

The Yedua (variously also spelled Yadu’a, Jeduah, and Fedua) are part of a strange subcategory of plant-lore in which the line between flora and fauna has become blurred. The humanoid, screaming Mandragora root – the Mandrake – has already been discussed, but before we get on to the Yedua, there are a couple of other notable examples.  

The Barnacle Goose (a real species of actual goose) was, for a long time, thought to grow on trees (or on wood, at least).  

There are likewise here many birds called barnacles,(barnacle geese) which nature produces in a wonderful manner, out of her ordinary course. They resemble the marsh-geese, but are smaller. Being at first, gummy excrescenses from pine-beams floating on the waters, and then enclosed in shells to secure their free growth, they hang by their beaks, like seaweeds attached to the timber. Being in progress of time well covered with feathers, they either fall into the water or take their flight in the free air.

The above words were written by the archdeacon of Brecon, Gerald of Wales, in his book Topographia Hiberniae, around 1188 AD. It should be noted that Gooseneck Barnacles are also real things, which do bear some co-incidental resemblance to Barnacle Geese, but lack of knowledge of the migration of birds seems to have been the main factor at play here. That and the fact that if these geese weren’t strictly geese, they could technically be eaten freely on days when religious observances called for abstinence from meat.  

The Vegetable Lamb is another strange example. Widely believed now to have come from the first reports of the cotton plant, with its wool-like yield, the Vegetable Lamb seems to have undergone a significant number of evolutions in the retelling. Some stories tell of a large gourd, inside of which, when ripe, could be found a lamb-like creature. Others tell of a living, moving, grazing lamb-like fruit, tethered to the plant from which it grew by means of an umbilical vine. It is this latter version of the Vegetable Lamb which bears a striking resemblance to the Yedua.  

In the Mishna Kilaim (vin, 5), a portion of the Talmud, we meet the passage, “Creatures called adne sadeh (‘lords of the field’) are regarded as beasts.” Rabbi Simeon, who died about 1235, comments on this statement as follows: ” It is asserted in the Jerusalem Talmud that this creature is the ‘man of the mountain.’ It draws its food out of the soil by means of the umbilical cord: if its navel be cut, it cannot live. Rabbi Meir, the son of Kallonymos of Speyer, has added these remarks:  
‘There is an animal styled Yedua? with the bones of which witchcraft is practised. It issues from the earth like the stem of a plant, just as a gourd. In all respects, the yedua has human form in face, body, hands, and feet. No creature can approach within the tether of the stem, for it seizes and kills all. As far as the stem (or umbilical cord) stretches, it devours the herbage all around. Whoever is intent on capturing this animal must not approach it, but tear at the cord until it is ruptured, whereupon the animal soon dies.'”

This quotation is taken from a 1915 article taken from The Journal of American Folklore, written by Berthold Laufer. Why would anyone want to kill the Yedua? Well, apart from the fact that it seemed to want to murder anyone who came too close to it (the same could be said for many wild animals though, to be honest), the bones of the creatures were thought to be useful in magic. If held in the mouth of a sorcerer, the bones (exactly what form these plant/animal bones would take is not recorded) were supposed to grant them the ability to foretell the future.  

Folklore Thursday: Hidebehinds

We ended up, somehow, out of sync with the folklore thursday account, tweeting our stories on week ahead of theme (christmas, a confusing time all round). So this is a resync strip. John sent me the tweet and I had all sorts of ideas for what Hidebehinds could look like (9 meter tall stick humanoid stick insects stuck in my head) but I wanted to do a goofy cartoony style, and so, this is what you get!

I could’ve gone gory, had toyed with the idea of the a hidebehind suddenly spotting the reader (after despatching the lumberjack) but that would’ve need a creepier art style than what I was going with.

Anyway, here we go – all synced up again!

#26 – “Hidebehind”

Being a lumberjack is a hazardous career choice. More dangerous than the blades and falling trees though, are the monsters. American folklore tells of mysterious woodland predators nicknamed Hidebehinds. No lumberjack has ever seen one and lived to tell the tale.

In the timberlands of late 19th and early 20th century America, lumberjacks lived a migratory lifestyle. Moving from camp to camp, down from the North East of the country, into the Upper Midwest, and eventually into the Pacific North West, the loggers kept themselves entertained during their non-working hours by swapping camp-fire tales. These stories took on a life of their own as they were passed from lumberjack to lumberjack, and camp to camp, becoming the folklore of the wood-cutters.  

Many of these stories dealt with what came to be known as “Fearsome Critters” – strange, otherwise unknown or undocumented creatures which roamed the forests. It is believed that many of these stories originated as a means of scaring or pranking newcomers to an area (very much like the infamous Drop Bear which tourists are warned about in parts of Australia), with several story-tellers in on the joke warning about the particular hazards which might be faced in that region. That said, many of the creatures bear resemblances to previously documented folkloric and cryptozoological beasts.  

One such creature, often blamed for the mysterious disappearance of any logger who left the camp that morning but back there at the fireside that night, is the Hidebehind.  

The Hidebehind is never found in the open. He always conceals himself behind a tree trunk. His marvellously quick, stealthy gait makes it possible for him to stay constantly behind his prey, no matter how quickly the suspicious victim may spin about in the hope of glimpsing the marauder.  

This description is taken from Fearsome Critters (1939) – a (somewhat tongue in cheek) field guide to the creatures of timberland folklore, written by Henry H. Tryon. He continues:

Its food is chiefly intestines. Leaping from its hiding-place with a demoniacal laugh, it swiftly disembowels its victim with one swipe. Sometimes the fiendish howl frightens the prey to death before the blow falls.   

It was said that Hidebehinds hated the smell and taste of alcohol or tobacco, which was a good enough excuse for any lumberjack to always make sure he had a pouch of tobacco and a hip-flask with him. According to Tryon:

One bottle of Uno beer has been proven to be a complete safeguard even in thickly infested country.  

#25 – “Cray”

Seymour Roger Cray was an American supercomputer engineer. Beneath his suburban home he constructed a series of tunnels. When Cray reached a creative impasse he would retire below. “While I’m digging, the elves will often come to me with solutions to my problem”

The concept of folkloric creatures or even demi deities helping humans with their work can be found across many cultures. In Slavic Paganism the Domovoy (“House Lord”) is usually represented as an old, gray-haired man with bright eyes. He (his female counterpart, Domania, being rather more rare), sometimes shows himself in the form of a visiting animal, sometimes in the shape of a departed ancestor, occasionally with the addition of a tail and small horns. Offerings of leftover food, slices of salted bread, and prayers were (and are) made to the Domovoy in order that he keep the home and its occupants safe.  

The house Brownies of Scotland and the Hobs of England were once left similar offerings, sometimes in exchange for minor domestic chores such as sweeping up, but mostly in an effort to stop them causing mischief such as hiding keys and other small objects.   

Perhaps the most famous instance of Other Folk helping humans with their work is recorded in the Fairy Tale The Elves and the Shoemaker as recorded by brothers Jakob and Wilhelm Grimm in their  Kinder- und Hausmärchen (Children’s and Household Tales) of 1891. More modern, and surprising stories do exist however, with the Fae offering their expertise in very modern ways.  

Arthur Edward Stilwell (1859 -1928) was the founder of Kansas City Southern Railway and of Port Arthur, Texas. After his retirement in 1912, Arthur wrote several books detailing his life and works. Something which attracted particular attention in these memoirs was Stilwell’s admission that “Brownies” had assisted him throughout his life and career. These creatures visited Stilwell at night and advised him, even supposedly telling him which railways and bridges he should undertake to build next.  

Seymour Roger Cray (1925 – 1996) was an American electrical engineer and supercomputer architect who designed a series of computers which were, for a long time, the fastest in the world. He is known today as “the Father of Supercomputing”. In 1997 – the year after Cray’s death – an article published in Personal Computer World revealed some interesting mythology surrounding the man and his methods.

There are many legends about Seymour Cray. John Rollwagen, a colleague for many years, tells the story of a French scientist who visited Cray’s home in Chippewa Falls. Asked what were the secrets of his success, Cray said “Well, we have elves here, and they help me”. Cray subsequently showed his visitor a tunnel he had built under his house, explaining that when he reached an impasse in his computer design, he would retire to the tunnel to dig. “While I’m digging in the tunnel, the elves will often come to me with solutions to my problem”, he said. 

Whether we’re supposed to take it that Cray’s elves were literal Other Folk, or a kind of metaphorical muse I cannot be sure.  

Folklore Thursday: Saturnalia

So, here’s a special thing, just for you (for the moment) a two pager.

John will be tweeting a two tweet thread.

I had planned more, but this came in late with double the normal workload. I struggled a little with building a story telling narrative around the first tweet, so instead I decided to try and play something clever, a christmas bauble on christmas tree, but it would be the planet Saturn, with the god Saturn behind it (the god of course, lending its name to the planet).

That done, I wanted to do a more traditional comicbook narrative thing for the second tweet, but time really did kick my arse (panel 1 would’ve been hundreds of gladiators killing and stabbing each other, panel 2 bodies piled upon bodies in front of the temple of Saturn and panel 3 the ancient roman symbol of christianity – the Chi-Ro symbol on banners in front of a burning rome.

Even I, as fast as I can be, just couldn’t turn that around in a day (not given my time-budget on this is only about 3 hours). So sketched and abandoned, and instead this, which actually is thematically closer to page 1 and not-so-subtly suggests that Christianity is build on the blood shed of rome.

So anyway HAPPY CHRISTMAS!

(Oh this is an unofficial folklore thursday – as they shut down folklore thursday for the holidays, John and I just decided to do a little extra for you, our dear dear Patrons – and thank you for signing up!)

#22 “Skaði”

Skaði is the Norse Goddess of Winter and mountains, of bow-hunting and skiing. After her father, the giant Þjazi, was murdered, Skaði journeyed alone to Asgard, to seek her vengeance. Intimidated and impressed, the Gods transformed Þjazi’s eyes into stars.  

Skaði (“Skathee”) was the Norse Goddess of bow-hunting, and skiing, of winter, and mountains. She was a Jötunn, a word often translated into English as “giant” or “troll”, though the more literal translation of this word is “devourer”. The Jötnar (plural of Jötunn)  inhabited Jotunheim (literally “world of the Jötnar”), one of the nine worlds in Norse cosmology (the others being Niflheim the land of mist, Muspelheim the land of fire, Asgard the home of the Gods, Midguard the home of the humans, Vanaheim the land of the Old Gods, Alfheim the home of the elves, Svartalfheim the home of the dwarves, and Helheim the land of the dishonourable dead).  Jotunheim was the wilderness: the untamed forest and the wild, inaccessible mountains where mere mortals feared to tread. Those Jötnar who inhabited the snowy peaks were known as The Frost Giants.

Skaði was the daughter of Þjazi (“Thiassi”), son of the Frost Giant Ölvaldi, and brother of giants Iði and Gangr. Þjazi, under orders of the ever-mischievous Loki, transformed himself into a gigantic eagle and kidnapped Iðunn, Goddess of apples. Iðunn’s disappearance caused the Gods to grow old and grey, and soon they realised that Loki was to blame. Loki, taking the form of a falcon then kidnapped Iðunn back from Þjazi (transforming her into a nut so that he could carry her more easily) who, in turn, gave chase in his eagle form. In Asgard the Aesir (Gods) built a great fire which Loki flew towards but stopped short of. Þjazi however, found his feathers singed by the flames and fell to the ground where he was set upon and murdered by the Gods.

Skaði vowed to avenge her father’s death, donning her armour and carrying all available weapons she journeyed to Asgard to challenge the Gods. The Gods were reluctant to battle the fierce Jötunn however, and instead offered her compensation. Skaði was allowed her pick of husband from the Gods, although she was (for some reason) only permitted to look at their feet in order to make her choice. This resulted in her choosing the Sea God Njörðr who was, by all accounts, not a great husband to her. Odin also took the deceased Þjazi’s eyes and placed them in the night sky, where they shine down forever as stars.