Well, we didn’t really, we work from a list in advance of what the next Folklore Thursday is gonna be. The list is pretty far in advance, and, apparently, this week, changed. So instead of whatever-this-weeks-topic was it became insects. BUT THIS WAS THE FIRST WEEK I WAS ACTUALLY AHEAD! so, poop. Instead you’re getting too Folklore strips. Locker, was my new fav.
Davy Jones’ Locker. The deep-sea Hell of the drowned, according to pirate-lore and later nautical-lore. Davy Jones a diabolical figure, sometimes said to be glimpsed among the rigging during a storm. More often than not though, the sea-devil simply waits below.
I love stuff like this, instantly I could see it all – deep-sea Hell of the drowned? Class! Trying to get something of a narrative in there – the sailer with the red scarf, drowned in the waters. And shifting to a symbolic skull in the water, was fun in the last panel.
I enjoy drawing gruesome faces, so that much is fun for me.
mmm… Always frustrated that things are less realistic than I want. I don’t think I knew what I wanted from this digital paint job, but this isn’t quite it.(I like the Kirby crackle though…)
This is one of many pages I did for Dept of Monsterology book 2. This was one of the 49 pages I drew in a month. Some of those pages were, hand on heart, some of my favourite pages I’ve ever drawn. Lookit hitlers little left foot.
You can buy a digital collection of book 2 for just £6.99 on Comixology – it’s a bargain!
(and hey, if you’re not already a Patreon of mine, you can sign up for $1 to see early pics and some exclusive pics, and get a behind the scenes peek, with articles on Clip Studio Paint and Comics story telling for the early bird price of just $5 – only a limited number of slots at that price!)
I wanted to try and paint something in Clip Studio Paint, more impressionistic than I normally do – or at least looser. The first Rogue was done with that in mind but it totally got away from me, like some small bits (I like that he looks blue without … you know… being entirely blue).
Wasn’t what I wanted though, so thought I’d have a go again this time using a photo – so I nabbed a random “male model” sketch off the interwebs, and scribbled roughly the look and painted the colorus based on the lighting in that. It’s miles better. Frustratingly so. Much less faffing in the colours, and the lighting (despite him being blue) is much more believable. I should probably do more studies of this nature.
Bit nuts, this is lining up to be the busiest year ever for me. But then, that’s all the more reason to do something else. Something that I can switch myself off for and just be somewhere else.
I’ve acted before- 20 years ago and went back to it last year, did Macbeth and had friends I’ve known for decades come up and say “I’ve never seen you stand so still”. Then I did another play where I was a narrator and stood on stage stock still for an hour. I liked the stillness. I like the knowing that I have something to say at an exact moment. The most awkward bit of rehearsals I find are the bits before and after the rehearsing where you’re mixing, and I still find myself standing alone amongst a crowd.
It’s wanky to say it, I know, but I like just losing myself in someone else’s lines.
Look there’s me playing ross (centre) in Macbeth! What a tubby little man I have become.
(I still want to do a mega sci-fi fantasy epic of Macbeth… but it’s unlikely to ever happen…)
I’ve always struggled to draw pretty. Ugly, is more my metier. But I keep trying. Two good friends of mine have suggested, and I think they’re right, that US comics, especially ,thrive on “attractive”-attractive women and attractive men. It may be a British thing that we tend to move more towards brutish (or it may just be me).
British artists that can do pretty do remarkable well in the States.
British artists that can’t, end up having a decent career in the UK, but never noticed beyond those shores.
My mum (god rest her) used to say my women looked like men. I’m horribly aware of my shortcomings in this area.
Anyway, this sketch is alright though – literally a 2 minute pen & ink sketch – drawn using one of the Frenden brushes in Clip Studio. My instincts are to use a very controlled line, nothing rough, thought it’d be a fun exercise to use a rough pen to draw something nice.
Hi, thanks for signing up (was not expecting the guilty feels of knowing the people that sign up and happily counting them as friends).
I intend to get into a posting rhythm, on the one hand don’t want to overwhelm with posts on the other don’t want to make it feel like poor value money.
My plans with the Patreon are to do articles on story telling and tutorials on clip studio paint and I think, Photoshop, given the funding on Patreon I can now subscribe to Adobe’s Creative Cloud (quick hint, the photography subscription is the cheapest sub at only £10 per month, but only gives you access to Adobe Photoshop) and, obviously, sketches and what-I’m-working-on-now insider bits and pieces.
You’ll get all that in the backstage pass area, for everyone else, it’ll be art, blogposts and more general stuff. Now the school summer holiday has passed I may even get time to do some video stuff (for Patreons!)
Once a month I’ll unlock one of the backstage pass articles for general readers.
I’m not expecting Patreon – as it has in some other cases – to be a big source of income for me, but it has motivated me to blog more, and with more depth on subjects. Hopefully I can find the balance to make it something worth your time and money.
Thanks again, I genuinely appreciate it.
-pj
(Oh, and if you’re coming to this post new: There are still slots in the $5 early bird backstage pass patreon, get it while it’s hot!)
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