Thinking inside the box

There are panels I lean on a lot, panel shapes, compositions, etc, and honestly, I’ll do them without thinking because they work for me, but I’m trying to rethink some of these choices and make more interesting (or at least, more thoughtful choices).

Take this panel:

Panel 1

Absoloutly fine. Dredd gets to a door, door gets open. Not terribly interesting, but largely doesn’t need to be, this isn’t high drama. But the next panel, is an almost identical composition and so I needed to rethink it. Initially I went for this:

Redrawn Step 1

This is a bit better, I think. Pulled out more it’s an establishing shot, much easier to see we’re outside at a doorway. But still, that old habit of mine of keeping everything on an eye/just below eye level. What if we wanna move up higher (giving us a little more distance, a little more of the location?)

Third go…

SO I think this is better from an angle, though the danger with panels at these angles is they feel voyeuristic, like you’re standing beside someone watching the proceedings, I mean if I added a window frame it would feel even creepier…

Creepy much..
Too creepy..

Anyway, that’s not what we’re after (I mean it COULD be, and if it was, it’d be great… but it’s not…)

Since a panel isn’t alone in it’s composition, it’s judged by what went before and what comes after, I check the previous panel and find – OF COURSE – I’d gone for an almost identical angle on the previous page (last panel) and this (the first panel on this page) feels a bit… like the time gap between them is immediate… I want it to feel like more time has elapsed, so a cheaty way of doing that is to flip the horizontal of the panel…

Still works!

And in context, this flipped panel feels better (you’ll have to take my word) but I feel like I’ve lost a little of the atmosphere of that second attempt, so I’ll take another swipe at it…

rejected

I think what I’m losing here is some sky, and at this angle (birds eye view) I’m not gonna get it, so time to go low… really really low…

AH-HA!

This has enough in it that I think this could be the one, so a quick refinement later and…

YES!

One thing that I’ve started thinking about on this new Dredd strip is… how much does this bit look like a scifi book cover (and how little does this look like something I’ve drawn before?) and this scores it on both counts. We’ve take a functional but dull panel (in my drawing of it, at least) and turned it into its own little sci-fi tale. Pleased with myself now, let the self loathing recommence in 10 … 9 …

The Doctor

I think my earliest memories of Doctor Who are pretty clearly Tom Baker, but less the tv show and more the cut out and keep weetabix models. Toys were a scarce commodity in those toys and tie-in toys to tv film or tv even scarcer.

I mean look at this advert from 1977 – this, for the period looks like incredibly high production values for something printed on the back of a cereal box

Yahoo advert

There are earlier DR WHO cardboard cutouts, but this is the one I remember, and it spurred in me a need to make more cardboard cut out toys. My earliest memory of 2000ad is also cardboard related. Making the Justice-1 spaceship out of computer punch card with my uncle (not only were tv/film tie in toys a rare commodity but even paper and cardboard was hard to come by in the 70s)

I remember creating a little motorbike bay area for the Justice-1 spaceship that was perfectly to scale and had Judge Hershy, but memory is kind sometimes (and cruel other times) and thinking back there’s absolutely no way it was anything but rubbish.

Hot TV Advert

Around the time of Return of the Jedi (1983, and by this stage I was 13 and probably still a little too juvenile for my own good) I went with the next door neighbour to go to a toy shop so he could measure the snowspeeder toy they had so he could go home and build one out of cardboard (these things were wonderouly expensive, way out of my family’s budget – at least for another few years until we were doing ok and my young brother – by then the perfect age for all things star wars – ended up getting things like the millenium falcon and the deathstar…)

The papercraft landspeeder met a fiery end as many of his papercraft toys did. Me? I’d’a held on to that thing. Again memory being what it was, I remember it as being a perfect 1:1 replica of the plastic toy.

Anyway this has all be spurned on by the fact that the BBC have just put online all of the Dr Who’s it’s within their power too. To be honest, this is what I want from the bbc – every tv show ever produce stuck online, give it to me! let me press pause on getting older and wallow in the nostalgia of my childhood viewing (way back when dr who was appointment viewing, when any random channel at any random time of day I could wander past and tell my parents exactly what it was on tv, because man I had not much else going on).

I thought I’d start by going back to the Sylvester McCoy era, because I did NOT enjoy that series – but I was 17 turning 18 when it aired, and man Dr Who was uncool enough without this goofball turning up and ruining it all. (I mean, he probably didn’t, the beeb was desperate to destroy doctor who by that stage so who knows). I never looked fondly at the over the top drama-school-ness of some elements of Dr Who, but boy I loved mad scifi ideas.

BUT! BUT! I didn’t – I’ve gone back further to Colin Baker (like many who watched at the time, Baker’s choice to play a deeply unlikeable doctor stung, especially since I LIKED Davidson Doctor Who was like a kindly uncle or something, Baker was too much acid after the calming balm of Davidson). So I’ve started watching Series 26 The Trial of the Time Lord. Some shabby acting (from actors I know can do better) some obviously massive budget constraints (the doctor was forever fomenting revolution in places where the local tribe was like 15 people) and a big ol interesting-silhouette-but-obviously-man-in-a-suit villain, and a plot that is so typically doctor who that it feels like a big old dr who cliche. But I’m overlooking it all, because deep deep down, the sight of Dr Who and the cardboard sets always brings me right back to being 12 years old.

Moving on.

The 5th of November is the twentieth anniversary of my mum’s passing. It’s been a raw wound for a long long time. She died aged 50 and so I’ve outlived her by three years so far.

She passed three months after my wife and I married – Annette and I had been together nine years by this point and mum and my younger brother (Who was exactly 25 years younger than me, and born a couple of months after Annette and I started dating) had become part of our entourage when we went places. To the point that mum used to joke that she’d come with us on honeymoon. We got married in Barbados, and mum came with us. Well, for a bit. We’d booked two weeks in barbados, the wedding would happen one week in and we invited everyone who wanted to go with us (they were all paying their own way, though we had secured a bit of a deal) so in the end we had a fair number with us. All for one week. Except mum “well, if I’m going that far, I might as well go for two weeks – so I’ll just come with you” No, mum. I love you, but you can come out one week early and stay for the wedding week and Annette and I can have a week alone. And that’s what happened.

When mum died, I was working in IT support for a charity and got a phone call telling me to come home. I can’t remember a lot of what happened, it all became a bit of a blur – there was a 16 year age gap between me and mum, and in an odd way we grew up together, I think. Mark, my brother one year my junior, died age 26 and so I felt very keenly that with mum going there were memories that I had that were shared between her, me and mark, that no longer existed for anyone but me.

It was a rough time. I think on the day, I ran into the bathroom (multiple times) just wanting to hide. I found it very difficult.

And for years, there was a numbness. I remember I used to day dream about what would happen if I won a million quid, and I remember one day, after mum died, having the same thought and suddenly cutting it short with “Well, if you’re going to make any sort of wish, you dickhead, why don’t you wish your mum were still alive”.

Mum was cremated and her ashes put in a grave with my brother’s ashes. A grave that, after his death, I used to go with mum to so she could clean it. We’d joke about stuff and it was far from a sombre thing (mum and I shared a very dark and dry sense of humour), it was kind of joyful. Mark and her never got on as he was growing up, it wasn’t until he left home at age 17 that they started having any sort of respect for each other. And at the grave mum would fuss around it with a tenderness I think she wished she could have expressed to him when he was alive.

(As a side note, and since I’m baring all here, Mark died aged 26. Mum and Dad were in Canada, and one of his friends had been in touch to say they hadn’t seen him, so they contacted me and got me to pop round the house. It was locked. From the inside. So I phoned the police, who came and knocked the door in. Once the door was down, I asked if I could go first, because – well, it felt like it would be more appropriate. And Mark was lying on the floor, having fallen off the sofa, eyes open and long passed. I had to phone them in Canada to tell them. It was awful. Coroner reported death by natural causes, Mum and Dad were convinced it was Sudden Adult Death Syndrome – which, at the time, wasn’t something many people had heard of or believed in. Northern Ireland being the centre of crackpots though, and Mark, at the time knowing pals who were in to witchcraft, the Judge decided there may be something more sinister going on – I stood up and pointed out that had he died two months earlier he’d’ve found a bunch of star trek books and that’s as likely as witchcraft to be the cause of his death.)

But, that, of course, made me visiting mum’s grave all the more difficult. Bad enough it’s where mum’s ashes are but it’s also – the drive up, the standing at the grave, the tidying of it – all reminders of mum being alive.

So I’ve been a handful of times, usually at the suggestion (if not prodding) of my wife. And it’s been difficult.

But this year, twenty years, the wounds don’t hurt. There is, of course a gap in the heart where my mum is, but it’s a gap that’s slowly grown over with new tissue.

I’m going to go up, say some goodbyes, and phone my aunt – her sister – who she used to talk to pretty much every day and I’m sure felt the loss as keenly as me.

And I think the hurt will stop.

Here’s the comic strip, I bring out every so often when I talk about my mum, that I drew now five years ago. It all remains true. There are, of course, more things I’d add, I’d like to tell mum about the house, about my brother John about Nathan going to university, about Thomas’s starting GCSEs. But she knows. She knows.

Dredd Poison

I was pleased with how this page turned out from Episode 2.

(It’s an eight parter running in 2000ad right now)

Rob wanted a lot of stars, and I wanted to give it a lot of texture. so there’s about three layers of stars that I gave Pete (doherty) to do with as he will. Also gratuitous butt shot for those that are inclined.

Studio Tour (2023)

I’m due a studio tour, right?

We’ve been in this house for around a year and there’s still a fortune worth of work to do. Outside of the studio we started by adding a new fence to the outside drive, so we could have private space in the backgarden which was a godsend over the summer (otherwise you can see our backyard from across the road) but it cost a fair bit. And we changed the stair case (money) and then updated the kitchen (more money) which, combined with buying the place has left me sort of broke. But we have a house on a ground floor with an outside which meant I got to do nine barbecues this summer (and if the bloody weather had been more dependable it would’ve been a lot more) including one just as my son finished secondary and him and his mates got their university acceptances and we had a big barbecue with him and nine mates, and the family and my wife’s cousin and her family and one of our friends and one of my brothers and there was twenty people in total. Was great. Worth it.

Anyway, the studio.

Time moves relentlessly on…

Like a big unrelenting thing. Eight days since the last update.

Let’s catch up, got a neat two pager to do for Monster Fun, with a tight deadline just before I went to Cheltenham (which meant I had to crush a bit the couple of days following to get it done for the 16th which was the deadline) full colour. Think it looks good, I’m a terrible judge of these things. Already feeling like my colouring box of tricks is way too limited.

Here’s a panel from it…

“Dot-Bot”

Editor liked it, so that’s good. Then spent a few days doing family stuff (lot of family stuff). One of the things with kids is, once they reach a certain age, they’re no longer yours to talk about – I used to talk about my kids all the time (on the blog and on social media) because they were delightful little wonders oblivious of most things but especially the internet (except for youtube videos) but now they’re 18 and 15 and as much as I’d love to share stuff about them, stuff I’m proud of, concerned about or just generally parent things, I just can’t. That stuff is theirs. But know I love them, and know that there’s often lots to talk about and I just can’t.

Have finally begun another Devlin Waugh strip, six parter. No deadlines, suspect it’ll not get scheduled for some time. For some artists this is great, for me, it’s a curse. I know if I attacked it the way I normally attack work I’d get it finished in a fortnight, but instead it’s taken me a fortnight to even open the script … because … no deadlines.

On the writing front, I haven’t really had a chance to open the script again on the WHITE RABBIT story. And again self doubt kicks in and I think, really Paul, this is the story you’re going to spend your precious time on earth drawing, something no-one will likely read, you’ll not likely enjoy (not nearly enough monsters) and something that no-one is paying you for? SHUT UP INNER MONOLOGUE.

As a side note, do you inner monologue? I do a lot. Turns out not every one does. Even as I type this I hear it in my own voice in my head. And if I pause to think of the wording, I’ll hear it in my head. Apparently not as common as I thought. (Also: I will have full on dialogues with other people – as I imagine they would react – play out in my head. Honestly a bit of a curse, because you know this isn’t necessarily what they’d say/how they’d really react, so you play through all sorts of permutations. And it’s always been like this. Voices in my head, but not the mad kind, probably)

I’ve most of the next issue of A4 written. Trying desperately to write something that doesn’t end with death is hard though. (It’s been pointed out, correctly, that these stories are all debbie downers… truth is I’m not sure I know how to write anything else? but I should try) There’s six stories so far and I did have a seventh which might be funny, but it turns out I’ve forgotten it. As soon as I think of one of these shorts I write them in the notes app on the iphone and then get on with things, safe in the knowledge it’s there. Sometimes I take a while to do that, then other thoughts pop up and *pff* gone. This one has gone *pff* (And I bet it wasn’t that funny)

Enjoy this Man-Thing Interlude (drawn in procreate)

Been chatting to Alec Worley (lovely bloke, comic writer, his newsletter is here) and he’s been bullying me into moving over to substack. (I have a substack account but only use it for reading). He reckons it’s where the audience will be.

To be honest, I’m sort of fed up with all social media. It’s so balkanised now, I can’t auto post from the blog to twitter, or blusky (but can to mastodon, which I’ve otherwise sort of left fallow). There’s threads where I’m on but not. Instagram which I have but never really upkeep and half a dozen others I’ve forgotten. My patreon still exists but I’m a ghost on there now. (Though I do appreciate those people who may be seeing me in other places and putting money in to my patreon, believe me, it may not seem much but it helps!)

In the battle-with-my-ego front, enough good quality writers have said words to the effect of “but you’re writing is really good” that I’m starting to think there might be something in that. Or at least I might try and stop shying away from the title of writer. I’m really not comfortable with the title (I’m a comic artist who sometimes makes comics that don’t have writers attached … or I sometimes jot down ideas for stories that I never, ever finish) these are things I need to fix, though I’m not sure how that would happen, maybe writing something that is purely prose? or writing something for another artist? I dunno. It’s an interesting data point for now.

I will say I feel my career as a comic artist has been taken as far as it can really go (which I think I’ve said before, isn’t really a bad thing, I don’t mean “and I give up” I mean “well, I’m never gonna be the hot artist, the in demand artist, the first guy on your rolodex or the guy you know will shift the needle, but I WILL be the guy you phone cus the other guy dropped out and man alive this deadline is tight” and honestly, being the hot-artist is a fractionally tiny part of the industry, there’s not many hot artists. I did wistfully want to be an artists-artist. But I’ll settle for being the editors-artist.

Maybe writing stuff will allow me to move the needle in some other ways. I dunno.

Again, my mood is a little darker than usual, I’ll grant you.

Funky Pencil Monkey

Spent a couple of days in a bit of a funk. The world is just … ugh. My mood has been dark (which, all jokes aside, I partially put down to binging Walking Dead which finally got to Neagan, a character I despised so much on first contact, and the grim never ending awfulness of what the characters are going through that it genuinely has effected my mood, so I’ve put it away – no thanks, not watching that) have turned instead to the delights of Gone Fishing.

I’m in a fairly privileged position (in that I’m in a part of the world that is relatively stable, and safe) and so have decided I can’t watch the news at the moment either – things are too grim and it’s impacting how I think about stuff. I don’t remember when things felt this oppressive (plus the comic industry seems to be going through one of its cyclical crunches where there’s more published work than there are readers, and more talented comic book creators than there are jobs for them)

There’s a guy in fixing my gas (big bill I could do well without) and he’s working in my studio room. So I’ve decided to blow the cobwebs off a script idea I had a few years ago (oh god, just after me and Declan did “M” for Dynamite, in 2017) and start polishing it up with a view to drawing it myself as a commando digest sized comic.

Well, strictly speaking I’ll be drawing it A5, and printing either A5 or some reduction of same.

I wrote a fairly detailed treatment of it, and then I rewrote and rewrote it. It was a James Bond pitch originally, and I’ve turned it into “John Regent” a Bond like MI6 Secret Assassin.

Honestly it came about because in our book M, Bond’s boss – a former british soldier – returns to Belfast, and I thought “Oh, man… if James Bond came to Belfast … he could get stuck in an Orange Parade!” because Bond surrounded by a load of guys in Bowler hats marching to a band while he’s being hunted by OddJob is very very funny.

Of course, what often happens between inception and treatment/scripting is the original idea gets lost as you build your plot. So ultimately, that didn’t make it.

Anyway, I have a detailed treatment (no page numbers, just plot happenings) and 64 pages to do it in. So I’ve been trying to work out how long each section should be and man, 64 pages seems like a lot, but every page is only 1 – 2 panels. So you’re really cutting it up a lot. But that’s ok. Because the treatment basically breaks down into Prologue (it’s James Bond! gotta have the bond bit at the start!) Act 1, Act 2, Act 3 and Epilogue I’ve sort of picked arbitary points for these things to break down, that’s when you really start to feel it.

BUT – I’ve adapted tweets into comics, so taking this treatment and going, well, these words have fill 8 pages – beginning on a splash and ending on a splash, giving me roughly 12 panels to tell that part of the story isn’t impossible.

Plus, to be honest, I’m trying not to get bogged down on “what if this is rubbish?” so what. Then it’s rubbish. I don’t think it will be, I think it’ll be not-as-good-as-I-want-it-to-be, which has the same effect as “what if it’s rubbish?” and that effect is to stop you even trying.

So I’m ignoring that instinct and I’m going to write it in to pages, and then draw the damn thing as fast as is humanly possible. And then, if I get that far try and kickstart the beast (I won’t be after big numbers, just enough to get it printed)

But the kickstarter is a long way off, and honestly, I’m doing this because right now, my workload is very very light, and that’s not a terribly comfortable place to be for me. I’d rather have way too much work on.

Sent to kill the super hacker codenamed “White Rabbit” MI6 Assassin JOHN REGENT discovers that she is, in fact, an 11 year old non verbal autistic child. Mission aborted, REGENT and the girl are attacked. Betrayed, REGENT has to go on the run with the girl and her mother to find answers, and to discover just exactly how far down the rabbit hole this goes.

“White Rabbit”

Skulduggery Pleasant Panel

Well, today was the skulduggery pleasant panel day, I sat with Nick Lake (editor) and Derek Landy (author) and watched as the crowd were in thrall to Derek (who really knows how to work his crowd)

I mostly tried to hide behind my ipad and made occasionally funny remarks.

Then we did a signing, and I suppose after doing stuff like this for 16 or so years, Derek has become really really good at crowd work. Good big queue, bodes well for the book. They’ll be doing another yay! with a different artist! boo! (don’t worry if they keep going, at some point I’ll do another)

Derek and Nick and team are keen to see as many different artists interpret that world as possible, so hopefully the next person will be able to turn in artwork very different to me (but if you’re reading this different artist, make it just a little bit not as good? cheers!)

Spent time at the venue then back at the hotel, and I’m learning something not great about myself, I’ve almost no bravery when it comes to exploring. I could’ve got a cab back to cheltenham proper, but I sat at the bar had a dinner (on expenses) and ate and then came to my room and slept.

If my wife were here she be making me get in a cab to go in to town just to see what’s there. (And then heading back for 9:30 to go to sleep, and I’d be sat here blogging and drawing and mumbling about how I could be doing this at home)

Now I want to go home, but won’t be able to do it until tomorrow.

+++

Did a inktober helltober thing this morning, but drew it in a silly cartoony style, which took seconds so decided to colour it too.

Am I tempted to do this again but make it proper serious? Yes. Will I? No. Because I am lazy. So very very lazy.

Cheltenham!

Well, I’m in Cheltenham, I think. Largely on my own at the moment, so have taken the time to have some me time. Me time is important, guys. (Me time involves eating some food and having a nap, this stuff isn’t hard – just let me sleep!)

Found this at the hotel:

A bottle of Prosecco in a bucket of ice.

Which was lovely and made my wife even more regret that she’s not here. I’m gonna use it as a paper weight, as I don’t really drink.

(Though now I think it’s from the hotel chain as a gift because I think we were supposed to be staying at the Queen’s hotel which is dead centre in Cheltenham instead we’re staying at a different hotel which feels like it’s in the middle of nowhere – this would appear to be the fault of the hotel)

Because this place is so out of the way, I’m largely confined to barracks for the moment (the nearest tesco express is 1.4 miles away!)

Still, that means I can sit and do some work (yay!) so here’s an inktober I didn’t think I’d get time to do.

The Pale Man, holding both hands in front of his face, one hand is open showing his eye in the palm of his hand. There is text beside him that reads “In the Kingdom of the Bline the One Eyed Man is King”

When I do this inktober / monsterober / helltober things I draw them and then try desperately to think of something that would be funny with them. This just popped in to my head whole.

Anyway, depending on how things go (will I open and drink this Prosecco… maybe…?) I might drunken blog later. We’ll see.

Away From Keyboard

Ok, my timing isn’t perfect, but might actually be a good thing. I’m off to Cheltenham tomorrow for the book-fest meeting Derek Landy and doing a talk. Will be back on Monday, that means I’m unlikely to get much done beyond reading a book and signing some books (hopefully) so no inktober/blogtober for me (well, I’ll try and blog, we’ll see!)

As I write this, my very basic stats tell me we’ve had 500 visitors to the webcomic, that’s a good start. It’ll shrink, of course, and hopefully pickup again. As I said before I’m not sure what a measure of success is here, but building out the infrastructure and figuring out HOW to do this has been useful in and of itself. As an experiment I’ve also uploaded it to tapas, with a plan to run it there every Wednesday (a few days behind the blog here) to see if there’s a different audience over there (or indeed any audience)/

Anyway, see you monday if I don’t see you before!