Friday Fixup:As-For-Stuff

Is… is As-for your name? PLEASE LET ME KNOW!

I’ve banged on before about the importance of real names for comic creators, so I will say nothing.

Ok, As-for sent me a double page spread, and then a follow up double page spread. Here’s both.


So I’m going to talk about these for a bit.

The first double page spread here is interesting, As-for told me it’s deliberately disorientating, and it is. But I’m not sure what it’s trying for. It feels like the opening sequence of Watchmen, where Dave Gibbon’s drills down into the Smiley faced badge from a height, it disorientated, but it also let you know where you where. It was easy to read. A different angle to look at stuff. I think there’s a few problems here we need to think about – how am I supposed to read this? Is it a linear narrative? is it a non linear collection of vignettes? (What Scott McCloud would call Aspect-to-Aspect or Non-Sequiturs). The first column of panels feels like we should be reading that as one tall read, but that throws you off where to go next.

I have one talent; my reading comprehension is pretty low, so things like this confuse me.

The advice I’ve given for years about story telling is pretty rock solid, I think: ask someone you know/trust (ideally a partner, someone who is on hand most of the time) what they think is going on in a page. Don’t ask them if it’s any good (if they love you of course they’ll say yes). Ask them to explain the narrative, this is entirely non-judgemental, don’t help of prod them just let them look at it without dialogue and see what they’re seeing. It helps if they don’t usually read comics either, then they won’t try and read it properly.

I’d really recommend you do that, that would show exactly where you’re doing wrong here.

So my primary thing on the first page was just trying to help the storytelling (I actually like the art, it’s crisp, and clean and fun, it’s obviously a little round spy cam looking around a space ship, though I’m unsure what the closing lens has to do with it, this version cleans up the reading order…


Ok, on to this second double page spread, and I really like a lot of the art here, lots of great small figures, fun to look at, but … I really can’t make head nor tail of what’s supposed to be happening. My guess is young dude walking along, gets in to fight, but I’m not entirely sure how the top sequence is supposed to be read? I think you’ve some really solid ambitions in storytelling but they’re not quiet within grasp yet – I can see some Frank Quitely sensibilities in the work, but Frank (aka Vincent) knows how much information we need to see to helps us get from one panel to the next, no matter where they are. You also really need to include some backgrounds, I LOVE – LOVE the use of white space, esp where some of the characters are leaning on things that we don’t see, BUT – we need to see some of these things somewhere. Are we behind a warehouse? In space? In the crushing void of the neverwhere? You really want to establish your backgrounds fairly frequently, at an absolute minimum once per page is a good rule (and even then that’s for a solid background with lots of information about where / when we are) after that you need to drop little hints about the background (fight in a library? have some books flinging about behind our protagonists, fight at a dockyard? some gulls flying away as our bad guy punches the good guy)


In the images above I’ve tried to reconcile how I think the page should be read vs how it’s being read. The path in green is the order I think As-for is thinking the story will be read, in the path in red is how I think a typical reader will see that page. The edited image I’ve tried putting the panels back in the order I think you’d read them.

Story telling is key here (I’m in two minds though, I really like As-for’s clean art style, but I think it’s a little too far and they’ve got to figure out how much information is too little information… as a storytelling your job is conveying information about the story, too much and it’s a waste and can slow a reader down but too little and it’s hard to know exactly what you’re looking at)

Hope that’s interesting or helpful!


Author: PJ

Belfast based Comic Artist who won’t shut up on twitter.

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