Yes, I fell off the wagon. Back on it now though.
Week 5 broke me a little, and I discovered it’s ok to cheat and miss and episode (since Tim isn’t likely to come round my house and demand I get back on that horse) so, of course, week 6 got tough – I find it nice and easy to just play with freewriting – just fill 10 minutes of my brain vomiting out nonsense to see where it goes. Of course, that’s only part of writing (probably the best part). There’s also making things make sense, stylistic choices, metaphor, similie, opening sentances, you know… actual work.
And that brings us to Week 6.
This has largely been writing things then rewriting them with specific stylistic choices (week 1: write a couple of minutes about something you’ve done, make it as straightforward as possible. NOW! Make it as flowery as possible, filled with metaphor, etc)
Today was take a first sentence from a novel and rewrite it, keeping the same basic structure but making it about anything else, really.
I do love a first line of a novel, when I was a student a Queen’s University Belfast, in the hallway of the student Union, where I’d sit while waiting on a rehearsal room to free up for whatever play it was I was doing at the time, the wall was festooned with first lines of novels, and I loved reading them. So many clever ways in.
(Here’s a brilliant list of them http://americanbookreview.org/100BestLines.asp)
As it happened, I grabbed a big old copy of the HP Lovecraft book Necronomicon for no other reason than it was the first novel I could see beside my drawing board (where I’m currently typing) and picked one story at random (truth to tell I wasn’t sure what the exercise was gonna be about, so didn’t seem like any choice would be a bad choice) and ended up with The Lurking Fear.
Here’s the first line of it:
There was a thunder in the air on the night I went to the deserted mansion atop Tempest Mountain to find the lurking fear.
(I’m now half convinced I played a Choose Your Own Adventure Game like this)
Anyway, the mission was to take the structure of this sentance, and replace all the nouns/verbs/adverbs/whatever with new ones to get a sentance with the same structure, but different things happening in it, so, for example:
There was a crackle in the fridge on the afternoon I went to the empty pizza place beside Macdonalds to find the ominous smell.
(That’s a terrible example, but you get my drift).
Now, I’ll be honest here, part of me is thinking “no! I want to write comics, not prose, and this is all about prose” so my brain slightly checking out – but that’s just me going “also this is HARD and I wanted this to be easy”.
Anyway, getting back on the horse means getting up early again and doing this stuff while everyone is asleep; that seems to be the best way to go.